A steel sundial stands in the courtyard of Pepper House, angled at exactly 32 degrees north. That's the latitude of Palestine. Here's what's inside Pepper House at the Kochi Biennale
In a world of fast-paced urbanization, Yangchen Dolker's Thangka paintings of Dolkar and Jamyang become quiet acts of resistance—art forms that demand slowness.
Where Mumbai meets Gujarat, Palghar's Adivasi communities face displacement. Gaurav Tumbada's 'Bohada' celebrates the Waghoba—the tiger guardian—as a figure of resilience.
The bicycle—humble two-wheeled 'friend of the poor'—becomes a vehicle of freedom in Abhijit Das's large-scale paintings and sculptural work exploring mobility, care, and nourishment.
From a humble handcart in Satana to processions across Maharashtra—Rutuja Sonawane traces her father's 50-year journey with 'Swar Samrat', a brass band rooted in Ambedkarite ideals.
Termite damage becomes a way to think through internal conflict. Neelam Saini transforms wood and paper pulp into lattice-like forms where surfaces hold as much as they succumb.
Three artists from NID Ahmedabad and MSU Baroda trace the quiet terrain where memory, grief, and body entwine through soft sculptures, drawings, and video.
Enroll your kids in a hands on clay workshop this Sunday, Nov 2, at 3 PM. Hosted by Forplay Society in Mattancherry, this free session is for ages 6 to 12.
Delve into the century-old tradition of pigeon feeding at the Jain Temple near Gujarati Road to experience one of the many enchanting cultural aspects of Fort Kochi.
At first glance, it looked simple. White walls, a sloping roof, nothing too showy. But don’t be fooled. This place holds centuries of secrets. And it smells like it, too—wood, dust, ink, and memories.
