Planning your Fort Kochi visit? Scroll to your date for a ready-made itinerary — morning cafes, heritage walks, afternoon rest spots, sunset times, and night plans.
The 6th Edition of the Kochi-Muziris Biennale is finally here. Hosted across several public venues on the islands, this year's programme celebrates the unique context and communities of Kochi.
Two artists present distinct approaches to storytelling: Aswathy G S critiques domestic labour through terracotta, while Imran Ahamed paints dreamlike tableaux between memory and imagination.
Three artists from Andhra Pradesh explore what it means to belong—to pottery as inheritance, to the endangered Banjara community, to the farmer's cycle that carries dreams.
Visual storytelling outcomes from a three-day mobile phone workshop screen at ABC Art Room. Exploring observation, sound, light, and narrative—stories born from the device we carry every day.
Nights in a crumbling hostel, weak staircases, constant vigilance—Pratik Khurkutiya's sculptures and paintings trace how fear embeds itself in the body long after we've left dangerous spaces.
Soil becomes shared ground. Harshal Khatri's two-channel video installation with paintings explores the entanglement between visible and invisible forces of nature.
The red soil of Birbhum, Bankura, and Purulia tells a story of displacement. Tanmoy Dutta creates a charged memorial for the Santal Adivasi community denied agency over their native land.
The Musi River in Hyderabad, deteriorating under urbanization, becomes a dystopian focus for Dindi Praveen Sagar's paintings and sculptures interrogating capitalism and consumption.
Surveillance is permanent in its effects, even if discontinuous in action. Ten artists from across India transform Foucault's concept into an architecture of co-existence and shared vulnerability.
The dari (rug) is where we rest after a long day. But what happens when burden and distress seep in, making comfort prickly? Jyoti's commissioned work invites us to enter a protective space between rest and play.
What remains when a home is taken away? Aadil Farooq Malik, who lost his house to a road expansion project, explores the shifting meanings of belonging through architectural remnants.
Puwali means 'kid'—the start of life in its simplest form. Two NID artists highlight how every seed, every beginning, carries its own future through visual storytelling and hands-on workshops.
Two artists from India's Northeast explore gender norms and the nurturing essence of nature through wood, bamboo, and rich indigenous traditions. Nature as refuge, difference as beauty.
