The Ultimate Travel Guide for Fort Kochi Itinerary Planning 2026
Plan your Fort Kochi visit with day by day itineraries for 2026. Morning cafes, heritage walks, sunset times & night plans all in one place.
Termite traces, sawdust figures, cow dung and plastic—four artists gather what is often discarded, assembling a slow archive of impermanence that refuses disappearance.
Five artists from Santiniketan explore how 'shift' pushes all things into existence—the human desire to shape land, the resistance faced, and the traditions born of negotiation.
Through spectral architecture of transparent layers and shifting shadows, Honey Thomas makes visible the unseen nature of domestic life—the labour, presence, and time embedded in home.
Challenging medicalized notions of queer transitioning, anu's sound installation explores transwomanhood through self-made instruments, nail-cutting, and defretted guitars.
Five parai rhythms become architectural language. Preeti Paari's thesis creates a space for Paraiyar women where caste boundaries begin to soften.
Two artists present distinct approaches to storytelling: Aswathy G S critiques domestic labour through terracotta, while Imran Ahamed paints dreamlike tableaux between memory and imagination.
Three artists from Andhra Pradesh explore what it means to belong—to pottery as inheritance, to the endangered Banjara community, to the farmer's cycle that carries dreams.
Visual storytelling outcomes from a three-day mobile phone workshop screen at ABC Art Room. Exploring observation, sound, light, and narrative—stories born from the device we carry every day.
Experience Pappanji, Fort Kochi’s New Year ritual. This midnight burning of a giant effigy celebrates Kerala’s deep Portuguese and Jewish history.
Nights in a crumbling hostel, weak staircases, constant vigilance—Pratik Khurkutiya's sculptures and paintings trace how fear embeds itself in the body long after we've left dangerous spaces.
Soil becomes shared ground. Harshal Khatri's two-channel video installation with paintings explores the entanglement between visible and invisible forces of nature.
The red soil of Birbhum, Bankura, and Purulia tells a story of displacement. Tanmoy Dutta creates a charged memorial for the Santal Adivasi community denied agency over their native land.
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