Every summer, the water near Kochi lights up electric blue. Here's the science behind it - It's not magic. It's not a filter. Tiny creatures in the water near Kochi make their own light. Here's how.
Kochi-Muziris Biennale is finally here. Browse through Daily Schedules, Highlights, Events, Galleries, Artists in this ultimate guide
I created a Google Calendar to Keep Track of Events. I update it every 1-2 days. You can click on each and add to your Calendar.
Imagination as resistance. Vineetha W explores creative labour beyond political binaries, granting equal significance to humans, animals, and nature in intimate, egalitarian paintings.
Is Ladakh facing enlightenment's dawning or fading into endless night? Kundan Gyatso's terracotta work carries the visual language of Thangkas and the weight of melting glaciers.
In Mumbai's frantic pace, women carve brief stillnesses in local train ladies' coaches. Diya Joseph sketches these fleeting moments of rest across two cities, two rhythms.
From Shimla—once the summer capital of British India—Vikas Kumar examines how being watched shapes who we are, and what it means to return the gaze.
Brick carries the weight of loss and transition. Urgain Zawa's installation from Ladakh links melting glaciers, paper-mache horns, and ancestral rituals against environmental disaster.
Water hyacinth—invasive, resilient weed—becomes the material for Likitha R Jain's sculptures exploring material ecology and post-humanist thinking.
In a world of fast-paced urbanization, Yangchen Dolker's Thangka paintings of Dolkar and Jamyang become quiet acts of resistance—art forms that demand slowness.
Where Mumbai meets Gujarat, Palghar's Adivasi communities face displacement. Gaurav Tumbada's 'Bohada' celebrates the Waghoba—the tiger guardian—as a figure of resilience.
The bicycle—humble two-wheeled 'friend of the poor'—becomes a vehicle of freedom in Abhijit Das's large-scale paintings and sculptural work exploring mobility, care, and nourishment.
From a humble handcart in Satana to processions across Maharashtra—Rutuja Sonawane traces her father's 50-year journey with 'Swar Samrat', a brass band rooted in Ambedkarite ideals.
Termite damage becomes a way to think through internal conflict. Neelam Saini transforms wood and paper pulp into lattice-like forms where surfaces hold as much as they succumb.
Working with discarded clothing, Kerala-based artist Harsha P S cuts, sews, and repurposes textiles into forms of protest. See her work at Kochi Biennale, Kerala
