The Paradesi Synagogue: 450 Years of Spice, Prayer, and Hand-Painted Tiles in Mattancherry
Chinese tiles, Ethiopian rugs, a Malayalam clock tower. What if I told you that Kochi's oldest synagogue is a world in one room?
Ejum Riba examines Indigenous erasure and the history of the Adi people in "Simulation & Abor Wars." These paintings for Students' Biennale Kochi explore the complexities of the British Raj, decolonial practice, and the personal family histories that shape our view of the past.
History is never neutral. Neither is education.
Ejum Riba (Sarojini Naidu School of Arts and Communication, University of Hyderabad)
Acrylic on canvas
Artshila, Near Parade Ground
This beautiful Kochi Biennale Venue presented by Arthshila is part of their multi-art curations projects across India.
Address: Opposite Parade Ground, Next to entrance of Lily Street
10AM to 6PM (Monday to Sunday)
Till March 31st, 2026
Ejum Riba's two paintings tackle big questions through deeply personal lenses. Simulation examines how certain educational systems work to erase Indigenous cultures and local knowledge. It's a meditation on indoctrination—and what gets lost when we homogenise young minds.
Abor Wars reaches further back, to the conflicts between the British Raj and the Adi people of Northeast India (1858-1912). But Ejum complicates the resistance narrative through his own grandfather's complicated admiration for certain British officials. History, he shows us, is rarely black and white.
The Students' Biennale, running alongside the Kochi-Muziris Biennale, has always been a space where tomorrow's artistic giants take their first bold leaps. This year's edition brings together young artists from art schools across India—each with stories that demand to be heard.
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