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Photographs of BMS Warehouse

60 photographs · every one of them ours, so no credit line is owed

From Death Circle

3 photographs

  • A dense swarm of small black insects covers a light wall, forming a large open oval shape in the center, with the insects concentrated around the edges and thinning out toward the middle.
  • Exhibition view of ‘Death Circle’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Death Circle’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Achidu

3 photographs

  • A room with a large mountain mural covering one wall, a bed made of white blocks with a purple cloth and a mirror leaning against it, scattered wooden planks on the floor, a leaning framed artwork, hanging cloud-like objects, and a window with a painting visible through it.
  • Exhibition view of ‘Achidu’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Achidu’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Army Of Ants

3 photographs

  • Exhibition view of ‘Army Of Ants’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Army Of Ants’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • A dense cluster of small insects covers a dark, irregularly shaped mass resting on a light-colored surface, with a few additional insects scattered nearby on the surface.

From The Mark of a Shift

3 photographs

  • Several sheets of paper are scattered across a metal grate set into a square opening in reddish-brown earth, with some papers resting on the surrounding soil and others lying on the grate itself.
  • Exhibition view of ‘The Mark of a Shift’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘The Mark of a Shift’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Seeking Intimacy

3 photographs

  • A colorful painting depicts a surreal scene with several figures and fantastical elements. In the foreground, a person in a pink garment with a crown sits beside two brightly colored horses, one green and yellow and the other pink and purple. Behind them, three shirtless men stand close together. To the right, a large halved citrus fruit rests on a surface, with a vine and a red fruit hanging above it. A long line of identical blue figures stands on a track that curves around the fruit. In the background, a green landscape stretches under a purple sky, and on the far left, a group of figures in yellow stands near a dark structure with a yellow sign containing symbols. Various flowers and plants are scattered across the lower portion of the scene.
  • Exhibition view of ‘Seeking Intimacy’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Seeking Intimacy’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Staged Narratives

4 photographs

  • Exhibition view of ‘Staged Narratives’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Staged Narratives’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Staged Narratives’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Staged Narratives’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From The house that remembers

3 photographs

  • Three wooden shelves mounted on a white wall hold a collection of dark, weathered ceramic vessels of various shapes and sizes, including jugs, bowls, jars, and plates, arranged in rows across each shelf.
  • Exhibition view of ‘The house that remembers’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘The house that remembers’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From parai+ magal-eer [+leisure]

3 photographs

  • Exhibition view of ‘parai+ magal-eer [+leisure]’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘parai+ magal-eer [+leisure]’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Several dark metal curved sections stand upright on a concrete floor against a white wall, arranged in a loose cluster with some pieces taller than others and varying in arc shape.

From Tension of Belongings

5 photographs

  • Exhibition view of ‘Tension of Belongings’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Tension of Belongings’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • A framed artwork depicting a close-up view of a bicycle wheel hub and spokes, rendered in a painterly style with visible brushstrokes and blended colors including blue, red, and beige, set against a light wooden frame.
  • A round, flat baked good with dark spots across its surface, featuring a painted image of a person in profile wearing a striped head covering and a colorful garment, lying on their side with one arm bent and resting near their head.
  • Exhibition view of ‘Tension of Belongings’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Follow The Crowd

3 photographs

  • A tall human-shaped sculpture constructed from pieces of driftwood and bark stands in a corner beside a window with dark bars. The figure has a rough, textured surface made of layered wood fragments, with a head formed from larger pieces of wood and a body built from smaller sticks and bark sections. Its arms hang at its sides, and its lower portion extends down to the floor, which is covered with a thick layer of dry leaves. The sculpture is positioned against a plain white wall next to a window that looks out onto a space with striped fabric visible beyond the bars.
  • Exhibition view of ‘Follow The Crowd’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Follow The Crowd’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Ginning Justice

3 photographs

  • Exhibition view of ‘Ginning Justice’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Ginning Justice’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • A large mural covers a wall in an indoor space, showing several figures in historical clothing standing beside industrial machinery and hanging objects. To the right, a separate framed artwork depicts a person working among large wheels and spools. A metal stand holding a small device sits on the floor nearby.

From The Power of the Peta / Honour

3 photographs

  • A painting of a large, crumpled piece of fabric in shades of red and yellow resting on a small wire stand against a dark background, with a signature in the bottom right corner.
  • Exhibition view of ‘The Power of the Peta / Honour’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘The Power of the Peta / Honour’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From A warm kind of panic

3 photographs

  • A large painting hangs on a white gallery wall, depicting an interior room with a bed, a window, and a figure lying on the bed. A red textile with white animal figures and black triangular shapes extends from the bottom edge of the painting down to the floor, appearing to flow out of the artwork. To the right, two smaller framed paintings are mounted on the wall, one above the other, each showing different interior scenes. A portion of another framed artwork is visible at the far right edge.
  • Exhibition view of ‘A warm kind of panic’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘A warm kind of panic’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Jirania

3 photographs

  • Exhibition view of ‘Jirania’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Jirania’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • A large, detailed black-and-white mural covers an entire wall, depicting a chaotic scene of collapsed buildings, debris, and draped fabric. In front of the mural, a painting on canvas rests on a bamboo easel, showing a landscape with hills, structures, and figures. A bucket sits on the floor beside the easel.

From Between Despair and Renewal

2 photographs

  • Exhibition view of ‘Between Despair and Renewal’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Five small paintings are displayed in a room, three mounted on a dark brown wooden door and two hung side by side on a white wall. Each painting depicts an outdoor scene with buildings, streets, and sky, rendered in a colorful, stylized manner.

From Jogammas

3 photographs

  • A painting shows four people gathered closely together, looking down at a blue smartphone held by one of them. On the left, a woman in a teal and gold sari with a red bindi leans in. Next to her, another woman in a yellow head covering and white beaded necklace smiles broadly. Beside her, a younger woman with a red mark on her forehead and a floral garland looks at the phone with a smile. On the right, an older man with white hair and a mustache, wearing a green jacket over a light shirt, leans forward to see the screen. The artwork is mounted on a textured white board with four dark screws, one in each corner, and is framed by a wide blue border.
  • Exhibition view of ‘Jogammas’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Jogammas’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Seeds of Continuity

3 photographs

  • Exhibition view of ‘Seeds of Continuity’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Seeds of Continuity’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Three bunches of dried plants hang from a textured wall above a wooden shelf. On the shelf, seven small clay pots sit in a row, each containing a different granular substance, followed by a wider, shallower dish at the end. A metal bracket supports the shelf from below.

From Fish

2 photographs

  • Exhibition view of ‘Fish’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Fish’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From In(visible)habiting

2 photographs

  • Exhibition view of ‘In(visible)habiting’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘In(visible)habiting’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.

From Queering Spaces/Queering Gazes

3 photographs

  • A white-framed tent structure stands on a floor covered with colorful, tufted textile pieces in various shapes and sizes. The tent is decorated with clusters of multicolored pom-poms along its frame and roof. Inside the tent, several small figurines are arranged, including human-like figures and other objects, set against a backdrop of more textile elements. The surrounding floor is covered with a patchwork of bright, shaggy rugs in colors including pink, blue, green, yellow, black, purple, and white, creating a textured, immersive environment.
  • Exhibition view of ‘Queering Spaces/Queering Gazes’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
  • Exhibition view of ‘Queering Spaces/Queering Gazes’ at BMS Warehouse, Kochi-Muziris Biennale 2025–26.
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